TAYLOR-JOHNSON: It's important to feel that Ana's world is a sweet,
charming existence
and then, Christian's world, you know,
huge volume and his apartment...
And just to create that difference between
the two worlds and how they collide.
Okay, maybe a little bit more soupy, less talky.
Shut up.
ELOISE MUMFORD: It's this really awesome apartment that we have been shooting in
in downtown Vancouver.
I believe this is the actual owner's stuff in here right now,
who's been very generous in letting us invade his apartment.
The main room, of course, is a shared room,
and it's a shared environment with her roommate,
whose parents have given them the wherewithal and the rent
to have this kind of large, lofty space.
Today, we're gonna learn how to make minestrone soup.
We stand in Ana and Kate's apartment,
all that stuff around them that might
look like kids' stuff, we anguish over.
We had a same-age girl from Portland communicate with us
about what's in her apartment.
No! That is way too much.
No, it's just the right amount. Look at me.
MUMFORD: This, in the movie, is Ana's room.
This is not what it looks like in the movie. (LAUGHING)
But when it looks like Ana's room, it's very girly and fun
and the sort of room you walk in,
you're like, "I would love to live here."
SANDY: It's her attempt at a homey environment.
Although, it has to rely on thrift shops
and maybe a couple hand-me-downs from her mom.
DAN SASSONS: We try to make the characters come alive.
With Ana, we're concerned about her computer
and we're concerned about the bits of paper
that she would use, the test that she writes.
There was a lot of thought given
to the kinds of books that she would read
as a fan of English literature.
Those are sort of character details that we try
to put into every character in a movie.
Ana. I've been looking for you. What's up?
Guess what. What?
Portland Place is going to exhibit my photographs next month.
Oh, my God. Oh, my God.
The funniest thing to me is Anastasia Steele's car.
She has this messed up Volkswagen Beetle.
Thank you.
WASCO: I'm a car nut,
and in every movie that I work on,
I try to be involved with picking the cars
becauselfeel it's like a costume.
You can say so much about the character
by the type of car that they drive.
This is me.
Didn't know I was a collector of classic cars, huh?
Coincidentally, I think it was Sam's first car.
Same color. So, that was a no-brainer.
It's gonna be a vintage baby-blue Volkswagen.
(ENGINE SPUTTERING)
One time, we were shooting
and Dakota was trying to turn on the car.
(LAUGHING) And the car wouldn't go.
So she would be like...
(ENGINE SPUTTERING)
And then, I was almost gonna go in and be like,
"This is how you do it."
But then I realized, me, personally, I can't drive stick.
So I was no help to her.
(INDISTINCT SHOUTING)
KATE: Ana, it's a package for you.
Ana meets Christian
and her world starts to shift and change.
These are first editions.
DORNAN". Christian Grey's all about throw money at things and get his way.
So, he tries that with Ana.
There's the first editions of books
and all these things because that's what he thinks works.
These are incredible.
We got first editions of Tess of the d'Urbervilles,
and they're extraordinary to hold and touch.
SISSONS: The Tess books were probably the first thing
that I really worked on in the picture.
I wasn't sure how difficult they would be to find.
I knew they were gonna be expensive.
I found a fantastic set in London for about just over $5,000.
Christian, that's a car.
You don't miss much, do you?
And then, the brand new A3
that Audi's coming out with next year,
is one that he gifts to Ana.
CHRISTIAN: DO you like if?
Of course I like it. It's beautiful.
VISCIDI: The A3, actually, has not even been seen in the United States
until it'll come out in this film.
TAYLOR-JOHNSON: it was really important to keep a lot of the details of the book
for the simple fact that people have read the book.
They want to see those details.
It's a fantasy dream that you want to see in reality.
You have to have things like that
because those are the things that bring that book to life.
Oh, my God.